When I got there the dead opossum looked like
an enormous baby sleeping on the road.
It took me only a few seconds—just
seeing him there—with the hole in his back
and the wind blowing through his hair
to get back again into my animal sorrow.
I am sick of the country, the bloodstained
bumpers, the stiff hairs sticking out of the grilles,
the slimy highways, the heavy birds
refusing to move;
I am sick of the spirit of Lindbergh over everything,
that joy in death, that philosophical
understanding of carnage, that
concentration on the species.
—I am going to be unappeased at the opossum’s death.
I am going to behave like a Jew
and touch his face, and stare into his eyes,
and pull him off the road.
I am not going to stand in a wet ditch
with the Toyotas and the Chevies passing over me
at sixty miles an hour
and praise the beauty and the balance
and lose myself in the immortal lifestream
when my hands are still a little shaky
from his stiffness and his bulk
and my eyes are still weak and misty
from his round belly and his curved fingers
and his black whiskers and his little dancing feet.
by Gerald Stern, originally in Lucky Life (1977)